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The Mandalorian Season Three Return to MandaloreGROGU STARES OUT OF THE PASSENGER BUBBLE OF THE N1 STARFIGHTER AS HE AND THE MANDALORIAN DIN DJARIN TRAVEL THROUGH HYPERSPACE ON THEIR CONTINUING ADVENTURE. PRODUCTION STILL.
This one scene shown above, early in episode one of the third season of The Mandalorian, combines many of the eleme
Expanding on the Star Wars Universe ANDOR SEASON oneI am not really what you would call a Star Wars fan. I have a lot of respect for the franchise, and I did enjoy the original three movies, but I did not stick with them or really connect with the more recent content in that galaxy as it evolved. However, when looking for a new project, I try to look
Developing the Dutton Saga 1923ABOVE EXT YELLOWSTONE LODGE BUILT ON LOCATION. SET PHOTO.
Working for Taylor Sheridan has always been an adventure. Last year I thought 1883, the Yellowstone prequel that stretched from Texas to Montana, was an insane adventure. That is was—but nothing compared to 1923, the sequel to the prequel.
Are You There, God? IT’S ME, STEVEWhat happens when you get a panicky call from a producer friend asking if you can take over a troubled Art Department on a feature film that’s to start principal photography in exactly four weeks?
Maybe you’d look heavenward and ask for guidance, but in March of 2021, I took a more practical
A Heist in Any Order: DESIGNING THE PUZZLE BOX OF KALEIDOSCOPELike nearly all great heist movies and tv shows, Kaleidoscope is centered around a vault. As an audience, we’re almost giddily familiar with these stakes—the vault is impenetrable, there are cameras, there are guards, there’s some crazy bit of tech that will trigger the alarm. And yet, we can’t get
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