Perspective
Perspective
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Candyman THE ART OF HORRORAbove Image: CABRINI-GREEN ROWHOUSES. PRODUCTION STILL. UNIVERSAL PICTURES.
From the beginning, director Nia DaCosta and I were on the same page, we really wanted a visual flair and color incorporated into the overall look of the film. I very much wanted to create graphic images for the film i -
Find the Characters, Find the Design FINCHAbove Image: FINCH DISCOVERS JEFF’S “HEAD.”
To find the unvarnished truth to a story, I follow the practice of knowing as little as possible about a script before I read it. I try to table the excitement for a potential new project by reading in the moment and allowing the story to innocent -
capturing the Visual Legacy GHOSTBUSTERS: AFTERLIFEAbove Image: LIKE ALL KEY LOCATIONS IN THE MOVIE, THE LOCATION FOR EGON’S FARMHOUSE WAS SCANNED AS PHOTOGRAMMETRY AND THEN BUILT AS FULL-TEXTURED AND INTERACTIVE MODEL IN BLENDER BY BILL IVES. THIS ENABLED THE DIRECTOR, PRODUCTION DESIGNER AND CINEMATOGRAPHER TO CAREFULLY ORIENT THE SCENERY AND COMP -
The Unembellished World of LICORICE PIZZAAbove Image: INTERIOR TEENAGE FAIR. PHOTOSHOP ILLUSTRATION BY ALISTAIR MILNE
The first day I met with Paul Thomas Anderson to discuss Licorice Pizza, we immediately jumped in the car and started scouting the San Fernando Valley locations that inspired the script. Paul’s excitement was infectio -
Shining Vale FOUR STORIES OF HORROMEDYAbove Image: ATTIC.ORIGINALLY BUILT FOR THE PILOT, INSTALLED IN A WAREHOUSE ON A 4-FOOT PLATFORM TO ALLOW FOR ENTRANCE UP STAIRS. PRODUCTION STILL.
I’m very excited to share with you a glimpse into the world of Shining Vale. Reading the script for the pilot was one of those rare moments that, w
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