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Building a tangible unreality Designing NopeAbove Image: THE ‘JUPE’ BALLOON. ILLUSTRATION BY JOANNA BUSH.
Jordan Peele called me the summer of 2020 to discuss what is today Nope. The way people feared getting into the water after watching Jaws, Jordan explained over several hours, was the same reaction he wanted people to have with the
Minx FEMINISM MEETS SOFT-CORE IN THE ’70sAbove Image: INTERIOR BOTTOM DOLLAR PRODUCTIONS OFFICE BULLPEN. SERIES STAGE SET. MAIN AREA OF THE SET SHOWING THE UPPER CLERESTORY WINDOWS. SET PHOTO.
To Begin With ---:
I was first contacted by Ellen Rapoport in early March of 2020 about a new pilot script—would I be interested in reading
CReating 1980s Miami in Puerto Rico THE GORDITA CHRONICLESAbove Image: APARTMENT COURTYARD. SET PHOTO BY LAURA MAGRUDER.
The dogs and I were four miles into a forest hike when my phone vibrated. The call to design a series in Puerto Rico stopped me, but it was the true story of a chubby, willful Dominican immigrant growing up in 1980s Miami that turne
When You Wish Upon a Star” DESIGNING CONCEPT GRAPHICS FOR DISNEY’S PINOCCHIOAbove Image: GEPPETTO’S SHOP. STILL FROM THE FILM.
As a Graphic Designer, there’s a lot to be said for not having to worry about gravity. No worrying about a sign falling off a wall that can’t be screwed into at the location, no wet street flyers with ink running down the page due to those pesk
Fun, Strange, Powerful THE WORK/LIFE WORLD OF SEVERANCEAbove Image: MACRODATA REFINEMENT AREA BUILT ON STAGE. PRODUCTION STILL.
I’ve always wanted to do projects that were really different from each other. I loved that I did Zero Dark Thirty, a war movie, then Detroit, a period thriller, then Top Gun: Maverick, which was big.
When I read Se
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