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Creating the Visual World of THE GREATAbove Image: PALACE CHAPEL. CORONATION SCENE. SET BUILD AT 3 MILLS STUDIOS. ILLUSTRATION BY CAMILLA SICIGNANO.
Having designed two seasons of The Great, and with filming on the third season just about to start, it is an interesting assignment to look back and write about the design process that
Only Murders in the Building A PLATFORM (WITH SETS ON IT) FOR COMEDYAbove Image: CHARLES’ LIVING ROOM. ILLUSTRATION.BY ALI KASHFI DONE IN RHINO AND TWINMOTION.
With Steve Martin, Martin Short and Selena Gomez guiding us through the contained world of the Arconia, the audience understands that everything is probably going to work out. We also understand that ther
Designing a Debacle THE DROPOUTAbove Image: THERANOS PAGEMILL OFFICE. THE CREW DESIGNED AND CREATED 40,000-SQ. FEET OPEN SPACE, PLUS 20,000-
SQ. FEET OF LAB SPACE, REQUIRING $250,000 WORTH OF GLASS. SET PHOTO.
The first time I saw Elizabeth Holmes, my scientist husband Dan was watching a documentary. I thought it was a
The Offer: A Celebration of the Messiness of Moviemaking UNRELIABLE NARRATORSAbove Image: THE POLO LOUNGE. BUILT SET, PARAMOUNT STAGE 15. AS THE LOOK OF THE RESTAURANT HAS CHANGED SIGNIFICANTLY OVER THE YEARS, I LANDED ON A PASTICHE OF ITS MOST DRAMATIC ELEMENTS FROM THE ’70S. IMAGE COURTESY OF PARAMOUNT+.
New York City, 1968, novelist Mario Puzo was broke. His latest b
Helmet Graphics TOP GUN: MAVERICKAbove Image: F-18A TANDEM FIGHTERS WITH PHOENIX, BOB, PAYBACK AND FANBOY. PHOTO COURTESY OF PARAMOUNT PICTURES.
My Top Gun story begins in the summer of 1986 in Amarillo, Texas.
I have called it my “first date” but it was more like our mothers dropping us off at the theater than it was an ac
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