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Designing Outside of Time THE LOOK OF LOKIAbove Image: MISS MINUTES QUEUE. SET PHOTO.
Anachronism was another major visual cue we both agreed upon. The unknowability of a space or piece of technology’s chronological origin. The desire to make the world of Loki feel at once so familiar as to be nostalgic and yet chilling in its uncanny
Pandemic Pathfinding THE KENAN JOURNEYAbove Image: WAKE UP WITH KENAN MORNING SHOW SET. SET PHOTO.
Zoom? What’s a zoom? You know that moment where you hear yourself turning into your parents? My job interview for Kenan took place March 20, 2020, only a few days into the Covid 19 pandemic that shut down all of Hollywood and the
A 70s Culture Clash THE DESIGN OF CRUELLAAbove Image: THE LAIR INTERIOR/ EXTERIOR SET BUILD AT SHEPPERTON STUDIOS.
It was January of 2019 and I was sitting in an office in LA, interviewing for Cruella. It was my third meeting for the project and all seemed to be going well. And then I was asked the question, “Will you be able to work
Designing the Subconscious THE FLIGHT ATTENDANTAbove Image: LIVING ROOM OF MAKARA PRINCE TOWARD BEDROOM. PHOTO BY SPENCER LASKY.
“I want to get you on the phone with the showrunners, and then let’s do this,” director Susanna Fogel excitedly urged.
It only took one conversation with Susanna Fogel to convince me that The Flight Attend
New Inter-Department Flows and Interactions ART DIRECTION FOR VIRTUAL PRODUCTIONSAbove Image: FINAL SHOT WITH TEXTURED AND LIT UNREAL ENGINE 3D SCENE LOADED ON THE LED SCREENS, PHYSICAL SET IN THE FOREGROUND.
Virtual production setups grew exponentially in 2020, and have become an integral part of the film design toolset.
The current Epic Games Industry Manager for
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