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Enhanced Reality SPACE FORCEAbove Image: HEADQUARTERS CAFETERIA BAS RELIEF. SET PHOTO.
The opportunity to work on Space Force came about while I was working on Dollface, for Hulu. The creator of the show (Jordan Weiss) and the showrunner (Ira Ungerleider) both knew Greg Daniels and they knew he was coming up with a new s
The Grit and Beauty of New Mexico Better Call SaulAbove Image: MEXICAN VILLAGE, EL RANCHO DE LAS GOLONDRINAS.
Paula Dal Santo
In 2012, I met Production Designer Mark Freeborn for the first time. It was the start of the final season of Breaking Bad and Mark hired me as the Assistant Art Director. This opportunity was the start of a long-ter
The One and Only Ivan designing for hybrid animationAbove Image: IVAN IN BACKSTAGE AREA. CONCEPT ILLUSTRATION BY EVA KUNTZ.
In my twenty-some years in the Art Department, I have been fortunate to work on a number of highly popular book adaptations, and one thing I always try to keep in mind is the book’s devoted audience. So when director Thea S
Casinos and Cartels OZARK Season ThreeAbove Image: MISSOURI BELLE CASINO MAIN FLOOR. SET PHOTO.
The Netflix series Ozark is a saga about a successful financial planner, Marty Byrde, who is forced to leave his practice in Chicago to launder huge sums of Mexican drug money in Missouri’s Lake of the Ozarks in order to save the lives o
A Team of Superpowered Misfits The umbrella academyAbove Image: CONCEPT OF THE EXTERIOR OF THE UMBRELLA ACADEMY, A MANSION IN A BLOCK OF TENEMENT BUILDINGS. ILLUSTRATION BY SAM MICHLAP.
The superhero genre can offer a great many of opportunities for a designer. It also, correspondingly, presents the very real danger of covering already very we
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